If you are a horse lover, you have probably received a mass e-mail featuring Heather Jansch’s artwork. This talented sculptor/artist, located southwest of the United Kingdom, utilizes her fourteen acres of lush woodland to provide inspiration for her life-sized horse sculptures. “I use landscape to create new things without restriction,” Jansch says. “It is an exciting ongoing sculptural project in its own right.”
After seeking the advice of international artist and teacher, Arthur Giadelli, Jansch was inspired to use her combined love of horses, the country and creating artwork with natural materials to develop a style that was truly her own. Jansch says the idea came “out of the blue, it came in on the tide.”
She uses driftwood her assistant collects from beaches, along with other wood from riverbanks, woodlands and generous local estates.
“Driftwood is often a mix of soft woods and so it is not always durable,” she says. “It is fine for small interior works, or for pieces that will be cast in bronze. If a piece is for exterior display, it needs to be made from dense hardwood like oak.”
She says each sculpture is different, and as a result, can require its own innovative means of construction. However, Jansch views the occasional complication as a blessing in disguise.
“My best work often comes when my creativity is stretched,” she says. “New challenges, experiments, possibilities and ideas are what keep me alive.”
The larger life-sized sculptures have a steel frame, which is coated in fiberglass, to help disguise the steel and stop the wood from slipping once it is first held into position for Jansch to see. Then, each piece of wood is tied with wire and screwed into the frame with stainless steel screws. Wood filler and stain conceals the metal screws and preserves the natural feel of the driftwood.
Jansch says that sometimes it can be difficult to utilize such a rigid material to recreate muscle tone and the curves of a horse’s conformation.
“It can be excruciatingly difficult,” Jansch says. “Especially when using oak, which I guess is why few people work this way, but I have many years of experience and a great assistant with good muscles and I use power tools.”
The hooves of the driftwood horses are made out of either recycled copper or lead. If someone intends to display a piece outside, Jansch recommends that it be treated annually with preservative, much as one would spray a garden fence.
“I cannot say exactly how long they will last, but there are still Elizabethan timber frame houses standing,” she says.
While Jansch typically doesn’t create a sculpture with a certain breed in mind, many of her pieces do evoke an Arabian sensibility, with good reason.
“I keep Arabians; they are hardy and agile,” she says. “I ride badly and do not compete, but my horses are ridden barefoot and bitless.”
Jansch says she does not publicize her prices because there is great variation when it comes to the size and complexity of a piece. Currently, there is a waiting list for privately commissioned sculptures.
However, her gallery and sculpture garden are open to the public each year in September, when over a thousand plus visitors flock to the United Kingdom to have the opportunity to see the driftwood equines.
She also has a book available which utilizes a diary format to take the reader through a year in the life of an artist.
“The book is an intimate window into my creative life. It was a hugely enjoyable adventure that resulted in a book with a very handmade feel. In diary form, it takes the reader through a typical year richly illustrated with drawings and photos of my work in the stunning landscape that inspired them.”
While it is not yet available outside the United Kingdom, Jansch’s book can be purchased on her website, www.heatherjansch.com.
